Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads
Identifieur interne : 000A30 ( Istex/Curation ); précédent : 000A29; suivant : 000A31Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads
Auteurs : Alaina LemonSource :
- Journal of Linguistic Anthropology [ 1055-1360 ] ; 2008-09.
Descripteurs français
- Wicri :
- topic : Ethnographie, Enseignement supérieur.
English descriptors
- KwdEn :
- Abbreviation, Accounting self, Alexandre dumont, Algebra, Anthropology, Business relations, Cambridge university press, Chronotope, Color revolutions, Cultural anthropology, Daphne berdahl, Duke university press, Eastern europe, Eldwork, Emotion memory, Ethnography, Exam, Exam performance, Faithful girlfriend, Genre, Gitis, Gitis instructors, Gitis teachers, Great deal, Head teacher, Hermeneutic, Hermeneutic algebra, Higher education, Human outbursts, Iron curtain, Jane hill, John thiels, Judith irvine, Kitchen wall, Lexical items, Linguistic anthropology, Lydia smirnova, Male student, Marie, Martha lampland, Masterstvo rezhissera, Matti bunzl, Memory shine, Michigan press, Moscow circles, Moscow time, Nasty habits, Notes december, Nuclear family, Other students, Palgrave macmillan, Postmillennial russia, Princeton university press, Private spheres, Public invitations, Recording january, Russian academy, Smirnova, Social contexts, Socialist period, Sovershenno sekretno, Soviet russia, Soviet state, Soviet times, Soviet union, Soviet writers, Stanislavskii, Street names, Student director, Theatrical arts, Trifunova, Unpublished manuscript, Ways people, Younger people, Zelenograd.
- Teeft :
- Abbreviation, Accounting self, Alexandre dumont, Algebra, Anthropology, Business relations, Cambridge university press, Chronotope, Color revolutions, Cultural anthropology, Daphne berdahl, Duke university press, Eastern europe, Eldwork, Emotion memory, Ethnography, Exam, Exam performance, Faithful girlfriend, Genre, Gitis, Gitis instructors, Gitis teachers, Great deal, Head teacher, Hermeneutic, Hermeneutic algebra, Higher education, Human outbursts, Iron curtain, Jane hill, John thiels, Judith irvine, Kitchen wall, Lexical items, Linguistic anthropology, Lydia smirnova, Male student, Marie, Martha lampland, Masterstvo rezhissera, Matti bunzl, Memory shine, Michigan press, Moscow circles, Moscow time, Nasty habits, Notes december, Nuclear family, Other students, Palgrave macmillan, Postmillennial russia, Princeton university press, Private spheres, Public invitations, Recording january, Russian academy, Smirnova, Social contexts, Socialist period, Sovershenno sekretno, Soviet russia, Soviet state, Soviet times, Soviet union, Soviet writers, Stanislavskii, Street names, Student director, Theatrical arts, Trifunova, Unpublished manuscript, Ways people, Younger people, Zelenograd.
Abstract
This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988. [hermeneutics, intertextuality, performance, sentiment, Russia]
Url:
DOI: 10.1111/j.1548-1395.2008.00021.x
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Alaina Lemon<affiliation><mods:affiliation>UNIVERSITY OF MICHIGAN</mods:affiliation>
<wicri:noCountry code="no comma">UNIVERSITY OF MICHIGAN</wicri:noCountry>
</affiliation>
Le document en format XML
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<term>Business relations</term>
<term>Cambridge university press</term>
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<term>Male student</term>
<term>Marie</term>
<term>Martha lampland</term>
<term>Masterstvo rezhissera</term>
<term>Matti bunzl</term>
<term>Memory shine</term>
<term>Michigan press</term>
<term>Moscow circles</term>
<term>Moscow time</term>
<term>Nasty habits</term>
<term>Notes december</term>
<term>Nuclear family</term>
<term>Other students</term>
<term>Palgrave macmillan</term>
<term>Postmillennial russia</term>
<term>Princeton university press</term>
<term>Private spheres</term>
<term>Public invitations</term>
<term>Recording january</term>
<term>Russian academy</term>
<term>Smirnova</term>
<term>Social contexts</term>
<term>Socialist period</term>
<term>Sovershenno sekretno</term>
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<term>Soviet state</term>
<term>Soviet times</term>
<term>Soviet union</term>
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<term>Street names</term>
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<term>Theatrical arts</term>
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<term>Ways people</term>
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<term>Alexandre dumont</term>
<term>Algebra</term>
<term>Anthropology</term>
<term>Business relations</term>
<term>Cambridge university press</term>
<term>Chronotope</term>
<term>Color revolutions</term>
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<term>Daphne berdahl</term>
<term>Duke university press</term>
<term>Eastern europe</term>
<term>Eldwork</term>
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<term>Ethnography</term>
<term>Exam</term>
<term>Exam performance</term>
<term>Faithful girlfriend</term>
<term>Genre</term>
<term>Gitis</term>
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<term>Gitis teachers</term>
<term>Great deal</term>
<term>Head teacher</term>
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<term>Hermeneutic algebra</term>
<term>Higher education</term>
<term>Human outbursts</term>
<term>Iron curtain</term>
<term>Jane hill</term>
<term>John thiels</term>
<term>Judith irvine</term>
<term>Kitchen wall</term>
<term>Lexical items</term>
<term>Linguistic anthropology</term>
<term>Lydia smirnova</term>
<term>Male student</term>
<term>Marie</term>
<term>Martha lampland</term>
<term>Masterstvo rezhissera</term>
<term>Matti bunzl</term>
<term>Memory shine</term>
<term>Michigan press</term>
<term>Moscow circles</term>
<term>Moscow time</term>
<term>Nasty habits</term>
<term>Notes december</term>
<term>Nuclear family</term>
<term>Other students</term>
<term>Palgrave macmillan</term>
<term>Postmillennial russia</term>
<term>Princeton university press</term>
<term>Private spheres</term>
<term>Public invitations</term>
<term>Recording january</term>
<term>Russian academy</term>
<term>Smirnova</term>
<term>Social contexts</term>
<term>Socialist period</term>
<term>Sovershenno sekretno</term>
<term>Soviet russia</term>
<term>Soviet state</term>
<term>Soviet times</term>
<term>Soviet union</term>
<term>Soviet writers</term>
<term>Stanislavskii</term>
<term>Street names</term>
<term>Student director</term>
<term>Theatrical arts</term>
<term>Trifunova</term>
<term>Unpublished manuscript</term>
<term>Ways people</term>
<term>Younger people</term>
<term>Zelenograd</term>
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<front><div type="abstract" xml:lang="en">This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988. [hermeneutics, intertextuality, performance, sentiment, Russia]</div>
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